My study is endless. When my piano education was achieved, I started to understand of being part of something way more ample compared to the tight academic method of the Conservatives. I threw myself into a huge work of choices, various and brave, giving an important mark also to the contemporary music.

Programs
◊ Program 1
From Scarlatti to the classicism of Mozart, with the glorious close of the Allegro from Concert Granados.
◊ Program 2
With Scarlatti, Mozart and Chopin we get to the contemporaneity of Ligeti; In the closure, the transcendental Argentinian sonata by Ginastera
◊ Program 3
Liszt sonata in B Minor, a perfect pianistic sculpture, the most important one created by the compositor. The passage at the end of the second part with “ Ile de feu” by Messiaen marks a clear historic transition.
◊ Program 4
Opening with the sonata “Appassionata” number 23 in F Minor, op. 57 by Beethoven. The second part is a miscellaneous of Hispanic traits and contemporary authors (Berio and Martinu).
◊ Program 5
In the first part rules the typical music characteristic of De Falla while a latin-american second part produces a balanced contrast in the program context.
◊ Program 6
Mediterranean music for piano, mainly Neapolitan.
◊ Program 7
The N 7 program opens with three preludes by Bach in the central part from the romanticism of Chopin we move on tothe gypsy dances of Turina, Spanish composer, which in its modernity highlights rhythms and musical phrasestypically folk. The second part opens withthe sonata in F Major K332 with a centralpart dedicated to List. In closing, the brilliant and virtuous Acque Correnti by Francesco Cilea.
◊ Program 8
Turkish Music – Program “Homage of Aysun Estefany Amedeo Rodriguez to the two great Turkish composers: Ahmed Adnan Saygun and Hasan Ferid Alnar”.
◊ Program 9
In the first part, the beginning with Scarlatti and the central part with Mozart accompany us to the great piano masterpiece by Giuseppe Martucci ‘Fantasia op.51’. While in the second of Chopenian romance we have a surprise that closes the concert: from the famous melodious ‘Granada’ Fantasia Andalusia for piano.
◊ Program 10
First part: from the classicism of Mozart we make a small trip to the Mediterranean with Enrico Mineo and Camillo De Nardis, with the impressive closure of the Turkish composer Muarrem Sun in his brilliant Turkish suite. In the second part from the impressionism to the contemporaneity of Sylvano Bussotti: French version. In the final part we meet the magical notes of Messiaen, between colors and atmospheres, a virtuosity intertwined with transcendental games of great class. In program 10 are inserted two Italian authors closely related to Mediterranean music Enrico Mineo and Camillo De Nardis.
◊ Program 11
Recently he was recitaled in Uzbekistan and Azerbaijan by the pianist.